Pricked Extreme Embroidery at the Museum of Arts and Design in Ny

Yesterday i went to a very exciting bear witness at Museum of Arts & Blueprint in New York. Pricked: Extreme Embroidery has invited 48 artists to demonstrate the diversity of new approaches to needleworking technique.

As they did with their previous show Radical Lace & Subversive Knitting, the Museum demonstrates that contemporary artists are exploring new ways to bring centuries-one-time handcraft traditions into the 21st century.

Phrenology III (kid)

One of the works that most impressed me was Morwenna Catt Phrenology Heads. Phrenology, developed past German physician Franz Joseph Gall around 1800, and very popular in the 19th century, is a subject field which claims to be able to determine character, personality traits and criminality on the basis of the shape of the head (i.e., past reading "bumps" and "fissures"). Catt'due south soft sculptures of heads accept long beast ears, Frankenstein-like stitches all over their face, ane eye is shut by a patch and a needle is stuck in their head equally if the work was unfinished.

The heads are embroidered with fragments of texts: the Mother one has "You will need eyes at the back of your caput". The Father has "The gloom and the silence, i am terrified when i realise i am alone", etc.

Phrenology head Ii, 2007

Phrenology caput II, 2007

Words and images have been combined in traditional embroidered samplers for more than 500 years, and many contemporary artists requite their own twist to the convention. Tilleke Schwarz, for example, embroiders texts and images she finds in her daily life from letters to editors that accept defenseless her attention to images from goggle box.

Tilleke Schwarz, Count your Blessings

Tilleke Schwarz, Into the Woods

Elaine Reichek embroidered an lxxx-foot long transparent curtain with dots and dashes that spell out the beginning telegraph message sent by Samuel F. B. Morse on May 24, 1844: "What hath God wrought".

Elaine Reichek, First Morse Message

Andrea Dezsö records aphorisms and warnings received from her Transylvania mother in the Lessons from My Female parent series. 48 cotton squares are embroidered with illustrated bits of folk wisdom passed downwardly from her mother: "My Mother Claimed That A Adult female's Legs Are So Strong That No Human Can Spread Them If She Doesn't Let Him", "My Mother Claimed That You can get hepatitis from a handshake," "My Mother Claimed That Men will like me more if I pretend to be less smart," etc.

Andrea Dezsö, Lessons From My Mother

While embroidery traditionally connotes safety and domestic security, some of the artists in Pricked employ the medium to explore and reverberate on political and social problems.

Mexican artist Ana de la Cueva'south video shows a digital embroidery machine stitching the contours of the United States and Mexico highlighting the planned wall to keep out illegal aliens in bright scarlet thread, all to the tunes of Mexican and American popular music.
Ana de la Cueva's video "Maquila" shows a commercial sewing auto stitching a white-on-white outline of the United States on plain cotton fabric, with a bold red line demarcating the Mexican border. Maquila refers as well to the use by American manufacturers of cheap labor embroidery shops scattered along the border.

Xiang Yang, The Truth that People Are Not Willing To Face — Bushism vs Saddamism

Xiang Yang's The Truth that People Are Not Willing To Face — Bushism vs Saddamism are portraits of President Bush and Saddam Hussein linked past a rainbow of threads. The threads are continuous between the 2 visages, giving the impression that the faces have morphed into one another.

Peter Hellsing used embroidery as a channel for advice with the immigrants who live in Flemingsburg, the suburb where he lives in Stockholm. He documented their stories of dislocation, alienation and longing for domicile on household article of furniture. The trunk of works, called A Little Cabin In the Woods, tells the story of these migrants, how they grew up in Sarajevo, or their fate during the Turkish-Armenian war.

Peter Hellsing, A Little Cabin In The Wood (detail)

Sonya Clark's $5 bill celebrates the connection between the president and the Afro-American community by giving him an afro hairdo.

Afro Abe Ii, Sonya Clark

A section of the exhibition explores the work of artists who adopt, appropriate or quote images and ideas from other sources, including art history and pop civilisation, in their embroidered works.

Los Angeles-based artist Maria E. Piñeres embroiders portraits of celebrities who accept been arrested, such as Mel Gibson and Robert Downey, Jr. Mark Newport has created a full-sized bed spread of embroidered comic books heroes as a fashion of exploring masculinity and identity.

Mark Newport, Freedom Bedcover: Zachary

Paddy Hartley uses his inquiry into the lives and families of disfigured World State of war I soldiers as the ground for his reconstructed war machine uniforms that are embroidered with texts and images related to the specific soldier.

Paddy Hartley, Lumley

German creative person Sybille Hotz created large-calibration stuffed human figures drawn from first-assist manuals and medical books.

Sybille Hotz, Wenden

Orly Cogan embroiders found linens that have been previously embroidered with flowers, animals, and hearts with nude self-portraits and creature fantasies.

Orly Cogan, Second Nature

Laura Splan, whose work is at the crossroad between medicine and art, is showing Trousseau, an embroidered nightdress created from a transparent plastic-like material that results from a drugstore facial peel-off mask which picks up and retains the detailed impression of texture and hairs on i'south skin. She covered her unabridged torso with the product, let it dry, peeled it off in one big "hide" so that she could have large sheets of "material" to piece of work with. The sculptures are embellished with computerized machine embroidery.

Trousseau (Negligee #1)

Splan has also turned the cellular formation of scary viruses such as SARS, herpes, HIV, and flu into doilies. They generate both a feeling of repulsion and ane of attraction. Would we exist willing to laissez passer these dollies from mother to daughters equally tradition would crave?

Laura Splan, Doily (Herpes)

Italian creative person Angelo Filomeno, who learned embroidery as a child and today is a master in the class, has created a wide panel titled Death of Blinded Philosopher. It depicts a skeleton whose eye sockets have been violated past alaws, facing a claret red explosion of tendrils and blossoms attacked by flies and cockroaches.

Angelo Filomeno, Death of Blinded Philosopher

Paul Villinski's wall sculpture Lament is fabricated up of hundreds of abandoned or lost gloves collected from New York Streets, assembled as a massive pair of black bird's wings which would perfectly adjust Icarus.

Paul Villinski, Lament

On view at the Museum of Arts & Design through April 27, 2008.

More embroidery: Destructive Knitting, Sandrine Pelletier, Divine Deviltries, Gales and Gasps, etc.

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Source: https://we-make-money-not-art.com/pricked_extreme_embroidery/